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・ Guido Knudson
・ Guido Koçer
・ Guido Kratschmer
・ Guido Landert
・ Guido Lanfranco
・ Guido Lauri
・ Guido Leoni
・ Guido Leontini
・ Guido Lollobrigida
・ Guido Bentivoglio
・ Guido Bernardi
・ Guido Bertolaso
・ Guido Bigio
・ Guido Bodländer
・ Guido Bodrato
Guido Boggiani
・ Guido Bonati
・ Guido Bonatti
・ Guido Boni
・ Guido Bontempi
・ Guido Borelli
・ Guido Brepoels
・ Guido Breña López
・ Guido Brignone
・ Guido Bruck
・ Guido Bruno
・ Guido Buchwald
・ Guido Buffarini Guidi
・ Guido Burgstaller
・ Guido Buzzelli


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Guido Boggiani : ウィキペディア英語版
Guido Boggiani

Guido Boggiani (1861–1902) was an Italian painter, draftsman, photographer, and ethnologist who in 1887 traveled through the interior of Brazil, Bolivia and Paraguay to document the lives of Indians in the region. Now hailed as a "pioneer of fieldwork"〔Vinigi Grottanelli, et al. "Ethnology and/or Cultural Anthropology in Italy: Traditions and Development. ''Current Anthropology'' 18.4 (1977): 593-614, p. 595〕 in Italian ethnology, he was ritually killed by natives in 1902.
==Early years, Italy==

Guido Boggiani was born on 20 September 1861 in Omegna (Province of Verbano-Cusio-Ossola) to Giuseppe Boggiani and Clelia Gené. From his father, Giuseppe inherited a passion for the arts, especially painting. When he was 17, and after studying general culture, Boggiani went to the Brera Academy (Milan) to study painting. He was taught by Filippo Carcano, becoming a prominent landscape painter. In 1883 Boggiani exhibited six paintings for the first time in Palazzo delle Belle Arti (Rome). Among these were ''La raccolta delle castagne'' (Gathering of Chesnuts) and ''Scogli di Sant'Anna''.〔( ''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.'' ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 62.〕 His painting ''La raccolta delle castagne'' was acquired by the National Museum of Modern Art in Rome for about 6,000 pounds, a price considered high at that time.〔De Gubernatis states the work was sold at the Exhibition.〕 At the 1887 Exhibition in Venice, he displayed ''Gli ulivi a Francavilla amare''; ''Sentiero a Lago Maggiore'', ''Villaggi o sul Lago Maggiore'', and ''Ortensie''.
In 1887, when 26, Boggiani undertook a journey to Argentina in order to show his paintings. In Buenos Aires he met several Italians who lived in Paraguay, and through the comments made, especially on the areas of Chaco and indigenous peoples, his fascination with Paraguay started.

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